Our showrunner said to me, I think in Season 2, he said, why don’t you appear in an episode and write one? And I said I don’t know how to write a TV show. Same thing with working for television production or writing for television. I just found empty blocks of time and I write what came to be Déjà Dead. I think I set a limit of 50 publishers in my head, and if it’s rejected 50 times, I’ll go back to my day job. And I like reading crime fiction and I thought I’m just gonna do this, I’m gonna try. I made full professor at the university, so I was pretty free to do whatever I wanted to do and I didn’t want to write another journal article or textbook. What are your strategies to go through transitions?Ī: I just do it. Q: You’ve gone through a lot of careers, from academia to crime lab to crime fiction and TV production, to name a few. But if you start letting yourself say the muses are not with me today, it lets you off easier. And if what you write is lousy, then you have the delete key. Maybe I don’t want to be writing one day, but you do it. Q: What do you do if you get writer’s block?Ī: I don’t believe in writer’s block. Then you can pull the dental records or do what you need to do for a positive ID. That officer would then match that with missing persons’ lists and try to get a name. We don’t know who it is, so I would do a profile of the age, the facts, the race, the height, anything I could tell the investigating officer.
The second type would be these bones were found, you know, in a well or in a basement, or washed ashore in a river, whatever. That would really be resolved probably with DNA or dental records. One is when we know who the body belongs to. This advertisement has not loaded yet, but your article continues below.
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